#Download 112 part iii rapidshare download
Music Download (2013): | .uk | | iTunes Production Manager: Christine Schreuder Artistic Director: Pieter Jan Leusink Recording: Clavigram Leerdam Producer/Editing: Jean van Vugt Balance & Recording Engineer, Editing: Louis van Emmerk.ĬD-5: Cantatas BWV 4, BWV 158, BWV 131, BWV 70 | Cantatas BWV 4, BWV 158, BWV 131, BWV 70 ĥ-CD (2000): | | .uk | .uk | | NBC: Violins: John Wilson Meyer, Laura Johnson, Alida Schat, Pieter Affourtit, Annabelle Ferdinand, Elin Eriksson, Fanny Pestalozzi, Fiorenza Dedonatis, Antoinette Lohmann Violas: Jan Willem Vis, Simon Murphy, Örsze Adam Violoncellos: Frank Wakelkamp, Bas van Hengel Double-bass: Maggie Urquhart, Robert Franenberg, Jan Hollestelle, Joshua Cheatam Oboes: Peter Frankenberg, Ofer Frenkel, Eduard Wesley, Kristin Linde, Vincent van Ballegooien, Nico de Gier Bassoons: Trudy van der Wulp, Yukiko, Norbert Kunst Organ: Vaughan Schlepp, Rien Voskuillen, Stephen Taylor, Theo Jellema HBC: Trebles: Anne Jan Leusink, Jelle Stocker, Gerwin Zwep, Hans van Roset, Aalt Jan van Roest, Tanny Koomen, Erik Guldenaar, Nicky Westerink, Peter van der Kolk, Herjan Pullen Counter-tenors: Arjan Dokter, Gerald Engeltjes, Vincent Groeneveld, Jan Zwerver, Arjen Nap, Jan Willem Prins, Arjan Heikoop Tenors: Martinus Leusink, Cor van Twillert, Marijn Takken, Peter Bloemendaal Basses: Jeroen Assink, Edwin Smit, Jim Groenevald, Sebastian Holz, Klaas Alberts, Richard Guldenaar, Huib van Hinsbergen Holland Boys Choir / Netherlands Bach Collegiumīass: Bas Ramselaar Soparno : Ruth Holton Music Download: | .uk | | ClassicsOnline | iTunes
See: John Eliot Gardiner - Bach Cantata Pilgrimage - Vol.
#Download 112 part iii rapidshare series
Producer: Isabella de Sabata Balance Engineer: Erdo Groot Recording Engineers: Thijs Hoekstra (Polyhymnia), Rob Aarden (Eurosound) Tape Editors: Ientje Mooij, Jean-Marie Geijsen, Matthijs Ruijter Edition by Reinhold Kubik, published by Breitkopf & Härtel Series Executive Producer: Isabella de Sabata. Live recording from the Bach Cantata Pilgrimage, at Johann-Sebastian-Bach-Kirche, Arnstadt, Thuringia, Germany. MC: Sopranos: Suzanne Flowers, Angharad Gruffydd Jones, Gillian Keith, Donna Deam, Nicola Jenkin, Belinda Yates Altos: David Clegg, Richard Wyn Roberts, William Towers Tenors: Rory O'Connor, Paul Tindall, Nicolas Robertson Basses: Noel Mann, Richard Savage, Christopher DixonĮBS: Violins 1: Alison Bury, Kati Debretzeni, Rebecca Livermore, Debbie Diamond, Andrew Roberts Violins 2: Catherine Martin, Roy Mowatt, Catherine Ford, Deirdre Ward Violas: Katherine McGillivray, Annette Isserlis, Colin Kitching, Jane Rogers Cellos: Melanie Beck, Lynden Cranham Double-bass: Valerie Botwright, Oboes: Michael Niesemann, Mark Baigent, Bassoon: Philip Turbett Harpsichord: Silas John Standage Organ: Ian Watson Monteverdi Choir / English Baroque Soloists 23 : Arnstadt/Echternachįor the 1 st Sunday after Easter (Quasimodogeniti) (BWV 130, 67, 42, 158)įor the 2 nd Sunday after Easter (Misericordas Domini) (BWV 104, 85, 112) Despite some clichéd lyrics (case in point - "Don't Hate Me") and sagging ballads toward the middle of the album (although the ballad "Missing You" is a well-crafted slice of true soul), this set is definitely a step in the right direction for a hard-working group one can happily classify as having evolved.Bach Cantatas Vol. And as always, the group's vocals are nothing short of stellar. Other cuts on the album pick up where that one left off, utilizing cutting beats and electronic sounds, such as the album's dance-flavored opener "Dance With Me," the second single "Peaches & Cream," and "All I Want Is You," which is augmented with rock guitars to fine effect. The album's first single, "It's Over Now," is an aching slice of melodrama that proved to be the group's biggest hit to date, and one of the best singles of the year. A lot of the sappy ballads that impaired their previous outings are abandoned in favor of edgier, techno-flavored jams, resulting in a more modern and forward-sounding effort. Their second album, Room 112, despite the hits "Love Me" and "Anywhere," failed to hint at any artistic progress for the group, but the third effort is a different story.
112 have proven themselves as one of the most successful and enduring acts to emerge from the 1990s urban music explosion, and continue to prove their longevity on their third set, Part III.
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